A France native, Thomas has spent many years devoted to writing an effective and graceful counterpoint, creating orchestral works to look like communicative polyphonies that integrate into the modern world of media. When he was young, he studied the piano and learned how to make a piece sound stunning. In 2003, his Prelude in A was performed by a full orchestra, a success that encouraged him to continue writing. His productions are a combination of Film and Classical music that are almost always tonal and, of course, open to everyone.